From The American Conservative-
Via The Browser, Peter Ross of the Boston Review has an interview with Paul Kingsnorth, the co-ounder of a dystopian movement called the Dark Mountain Project. It’s not a political or religious thing; it’s a group of artists, writers, and thinkers who are focused on ecology, and who believe that civilization as we know it is unraveling, and can’t be stopped. From its website:
It might also be useful to explain what Dark Mountain is not. It is not a campaign. It is not an activist project. It does not seek to use writing or art to ‘save the planet’ or stop climate change. Rather, it is a creative space in which people can come to terms with the unravelling of much of the world we have all taken for granted, and engage in a conversation about what the future is likely to hold, without any need for pretence or denial.
Peter Ross describes the Dark Mountain vision as the belief “that it is too late to save the world, but you can care for one small part of it, enriching both the land and your own life in the process.” Here are excerpts from the interview:
PK: My writing is also increasingly religious, or spiritual, although “spiritual” is such a horrible New Age word. I am a Zen Buddhist, but that’s not exactly a religion, it’s more a practice. As I get older, the spiritual mystery of life seems to be coming to the fore. It’s right there in Beast, which is a religious book, a quest book. It’s all the way through The Wake as well. I have a strong sense that the earth is alive. I’ve always had this. I remember reading Wordsworth when I was fifteen or sixteen and being really struck by the fact that he was talking about experiences that I had had—when you are up on a mountain and the world opens itself up to you. All the time when I was young, I felt there were mysterious things going on in nature. I believed in fairies and magic and all that. Then you grow up and put all that to one side, but it feels like it’s coming back into my writing as I get older. One of the disastrous stories our culture tells itself is that the world is a machine, and that you can cut it into bits and look at how it works. But it’s not a machine, it’s a great web of life with a strange religious mystery bubbling underneath.
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