skip to main |
skip to sidebar
From First Things-
The Anglican pastor and poet George Herbert died of tuberculosis on March 1, 1633, just one month shy of his fortieth birthday. Like his famous contemporary and friend John Donne and his nineteenth-century American echo Emily Dickinson, Herbert did not publish his poems during his lifetime. From his deathbed he entrusted them to his friend Nicholas Ferrar, granting him permission to either destroy or preserve them. The poems, he said, contained “a picture of the many spiritual conflicts that have passed betwixt God and my soul.” Later that year they were published in Cambridge as The Temple, and they have never been out of print since then.
Izaak Walton’s hagiographical account of Herbert’s life, published in 1670, helped to shape the iconic image of him as “the poet of a placid and comfortable easy piety” (T. S. Eliot)—not to say the quintessential Anglican perched midway between the rigors of Geneva and the extravagance of Rome. This image of Herbert and his place in the history of English spirituality prevailed in a 1907 collection of his poems which the editor introduced in this way:
More here-
https://www.firstthings.com/web-exclusives/2015/03/george-herbert-in-lent
From First Things-
The Anglican pastor and poet George Herbert died of tuberculosis on March 1, 1633, just one month shy of his fortieth birthday. Like his famous contemporary and friend John Donne and his nineteenth-centur
Izaak Walton’s hagiographical account of Herbert’s life, published in 1670, helped to shape the iconic image of him as “the poet of a placid and comfortable easy piety” (T. S. Eliot)—not to say the quintessential Anglican perched midway between the rigors of Geneva and the extravagance of Rome. This image of Herbert and his place in the history of English spirituality prevailed in a 1907 collection of his poems which the editor introduced in this way:
y American echo Emily Dickinson, Herbert did not publish his poems during his lifetime. From his deathbed he entrusted them to his friend Nicholas Ferrar, granting him permission to either destroy or preserve them. The poems, he said, contained “a picture of the many spiritual conflicts that have passed betwixt God and my soul.” Later that year they were published in Cambridge as The Temple, and they have never been out of print since then.
More here-
http://www.firstthings.com/web-exclusives/2015/03/george-herbert-in-lent
From The Guardian-
One of the things that is most striking about George Herbert's poetry, taken as a whole, is how unhappy he seems to have been for much of the time. The poems are full of tortured self-doubt, agonised examination of his motivations, and complaint. Usually these are resolved in a neat couplet at the end of the poem, recalling the poet to God's promises or presence, in typical psalmist style. Some of these neat resolutions are more convincing than others.
I suspect that this honesty about the struggles, fears and doubts of life as a Christian is a large part of Herbert's continued appeal as a poet. His doubts and agony about his vocation in life resonate even with many who do not share his faith. For those of us who do, it is refreshing and reassuring to know that we are not alone in finding being a faithful Christian difficult at times. As a member of the clergy, I take great comfort in knowing that even Herbert – the quintessential Anglican Divine – sometimes railed against and agonised about his vocation.
More here-
http://www.theguardian.com/commentisfree/2014/mar/17/george-herbert-poetry-faith-vocation
From First Things-
